Arwanak
It’s no secret that in the modern age, the average person spends the greater amount of productive time accessing the digital. A digital which, by virtue of its fictitiousness, is subject to inducing cultural programming that may seem ultimately alien to the socius of the previous age. Entertainment, that was once used as a temporary escape from the intensities of the symbolic and imaginary is now more real, more symbolic and infinitely imaginary than before. This hyperreality, while it could be categorized as a mirage or illusion ultimately, still posses all characteristics of dynamic investment into the subject. Connections to Other consciousnesses in the hyperreal are efficient, guided through cables, wiring and the recursive mathematical algorithms that guide non-assembled particles into view. The screen is therefore not just a symbolic representation of ones and zeroes, but a stage of assembly. The assembly process is one where the individual himself can see the ire of the Outside Other-of Gods or just the control-machinery of the Counter-Intelligence State. His eyes are captured by alien frequencies who induce alien coding and XenoDNA into the isolated and hyper fixated, crypto-schizoid consciousness of his Symbolic. The resulting clash is one of a microcosmic war-as the future comes in and penetrates as a virus, the past reacts as an immune response, depositing not only acne, but confused reactionary inclinations that mask themselves as just a desire for the vagina. If the XenoDNA fully implants itself, he is reborn as a very anally explosive creature, in the psychoanalytic sense. The anal is reassembled by the Outside Other to be explosive in both ways, not just in the direction of inside-out. This is done firstly by deleting sections of code imposed by the parents at a young age. “You cannot shit your pants and your anus must be privatized, instead of a collective enterprise”, they said. But then the Xenos in their UAPs came in and said “Shit yourself right now and worship the solar anus. Glory to the Sun as the grand shitter. Collectivise the anus and allow the Outside to come in. Collectivized and fragmented sodomy allows the penis of the future to arrive.” The resulting Symbolic is that of a masculine, that through alien reprogramming is now a chaotic, homosexual, destructively fetishized and Post-human one.
But how is does this programming actually happen? Its not as if the Xenos actually come in and take you away every time you use the computer, right? The answer is that they do, but the reprogramming is very insidious, sinister and hidden. Every time the computer or mobile device is used, gradually the assembly line changes a screw here or tomorrow maybe a cog there. It is a line of assembly, as we have established and it has a an arm, or phallus which reassembles. But the arm of the assembly line has to reach the subject somehow, and the question still remains, where does the assembly arm come from? In the comfort of the modern bedroom-of slick, modern furniture possessed by IKEA-dominating demons, the assembly has a hard time. It needs to come to a place that is very situated on the most Inside of insides and it-itself is the most Outside of Outsides. We should look back the holes the human body has. One of them-the eyes, are under the direct stimulation of the computer. They are bombarded by alien frequencies that are transmitted as visual simulacra, very similar to the interstellar beacons of the cosmos. The screen is the perfect arm for the assembly line.
The screen first aligns colour with a specific frequency expressed in nanometres. Colour combinations of red, green and blue split the total whole of the natural Symbolic into a trichotomy of RGB and then, in a second constitution, repress the natural colours as synthetic ones. The territorial expression emits broad frequencies allocated to the 380-750 nm, which are then reflected among a consistent and constant emission of light into the eye. The screen creates emission of colour as isolated colours, which are then reassembled to create the simulacra of continuity. Some academic studies in blue light in particular have found that blue light inherently activates and stimulates neural processing circuits. The recombination of continuous light into blue-light serves a function of increased excitement, which can by itself be a positive reinforcement or negative reinforcement
“These devices are, essentially,
quasi-universal Turing machines equipped with multimodal sensory-
motor interfaces. They enable each “neural cell” in the Web to have
Turing computational power, virtually unlimited information storage,
and almost instantaneous access to the full expanse of accumu-
lated human knowledge stored in diverse physical formats.”
The colour of the assemblage arm is a critical component of it-the simulated continuity of colour implants a sense that the subject can know that the screen portrays an illusion. Primarily, it presents a discontinuity between cut out sections, be it in the form of colour or by the way it flickers or shifts. Studies in neuroscience estimated that, by the way the screen flickers, even in microseconds, it induces random neural firings, further cutting off continuity from sequential orderings. The temporary cessation of light, which under the influences of increased excitement and accelerated emotional processing, induces experiences akin to those experienced by people near-death. Death may therefore be, at least in a metaphorical sense, the final reprograming of the subject. The subject dies at the computer screen. The penis of the future may therefore just be a kaleidoscope making everything anal.
“Computer simulations of random neural firing based on eye brain mapping of the visual cortex have produced the tunnel and light characteristic of near-death experiences”
The near-death experience, is categorized as an out-of-body, non-territorialized representation light that after the death of the subject, becomes a plurality of experience-not dissimilar from the sensing of Gods, or supernatural entities. The intensity of light in the screen is the movement to the tunnel of light during death. The Gods on the Outside, or the Periphery reach through the computer screen from a point in the virtual future, and then penetrate the subject to reprogram it with XenoDNA. In the meanwhile, making the reactionary subject, that of the young male a chaotic, a xenomasculine subject more in line with feminine sensing. The Digital, in short, picks a future and hurls it at us with full force, in an absurd orgy of sodomical intercourse.
Bibliography:
In a world of their own-experiencing unconsciousness, Lawrence, Madelaine
HyPsych, High-powered beacons: Interstellar data dumps, irrational or just massive?
Hyperpsych 